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When we first saw the trailer for King Arthur: Sword of Legend, we thought, “Hey, that’s badass.” Then we got to thinking . . . are there any Arthurian legend movies that aren’t badass? Answer: there are plenty. So go see the movie and compare badass to least badass!

We've discussed why mini-comics are so amazing and how you can find your next favorite mini-comic, but have we said everything there is to say about mini-comics? Of course not! We hope we’ve given you enough motivation to explore the mini-comic universe further, but here's one more approach to making a mini-comic of your own.

Making Multi-Sheet Mini-Comics

We’ve told you how to make a mini-comic from a single sheet of paper here and here. But if you want your minis to have more pages, and to be structured more like full-size comics or little books, here are two methods to try, using multiple sheets of paper. How many sheets? You decide!

Multi-Sheet Mini-Comic Version 1: Saddle Stitching

If you’ve ever picked up a comic book in your life, you’ll get how this works. You just print your pages—two on each side of a sheet of paper—fold them in the middle, and stack them on top of each other like so:

Then staple everything together in the middle of the sheets. Depending on the size of the paper you’re using, you may need an extra-long stapler. (Some creators use sewing or other methods to attach the pages.) One thing to keep in mind with this scheme: When you put your art onto the sheets of paper, your pages have to be ordered so they’ll fall into the right sequence. For example, a three-sheet mini-comic (two pages of art on each side of the paper=six pages total) would need this arrangement:

Make a dummy so you can see where everything goes…or get use to pages being out of order.

Multi-Sheet Mini-Comic Version 2: “Perfect” Binding

This approach mimics that of a perfect-bound paperback book—the single pages are fastened along one side, except that in this case they’re stapled instead of glued (usually…but various mini-comics creators have used adhesives and every other method under the sun at some point, so feel free to experiment.) You just print your comic as single pages, stack them up in order, and the staple the side together. The more pages you have, though, the harder it will be to staple. And remember to leave extra space along the edge so the stapling doesn’t block your images.

For a more in-depth tutorial on making mini-comics, we refer you again to Jessica Abel’s excellent guide.

Thanks for sharing your love of mini-comics with us. To inspire us all, let’s wrap things up with a final survey of outstanding mini-comics, selected by the Quirk Comics Club.

 

 

A horizontal format is put to great use in this untitled story of a sailing ship by Alexis Frederick-Frost.

 

Don't be square: An oval shape is the perfect fit for a story of sinister bunnies by Rachel Bard.

 

 

Mind-Mapping by Will Dinksi unfolds in a mind-bending way.

 

Cutouts in this cool cover by David Mack practically demand that you open the book.

 

 

The cover of Hope Larson's Put On A Brave Face ties together with yarn; the interior has even more surprises.

 

The Beast Mother by Eleanor Davis is bigger than most minis, with a suitably tense cutout cover.

_{Mini-comics displayed are from the personal collections of Quirk Books Comics Club members and are intended as a small and subjective sampling of the ever-expanding universe of mini-comics.}

We told you how much we love mini-comics (a lot) and why they’re so awesome (too many reasons to fit inside these parentheses).

So are you ready to start filling your shelves with mini-comics? One of the best aspects of collecting mini-comics is that, even more so than for traditionally-published comics, no two collections are the same. That intricately-folded octagonal comic with the hand-colored front cover which you bought at an arts festival may have only been sold for six months before the creator got tired of finger-cramps. Or maybe it was one of just a hundred ever produced. If hunting for comics is sometimes like tracking big game, collecting mini-comics is like capturing rare beetles on the verge of extinction. Luckily, some mini-comics are more like ladybugs, easily acquired if you know where to look.

Whether you’re new to the world of mini-comics or already hip, here are your best bets for finding them…along with some more examples of favorite mini-comics from members of the Quirk Comics Club.

1: Go to comics shows! The first and best way to get ahold of mini-comics of all sorts and styles…and meet the people who created them. Not only does a comics expo, festival, convention, or show give you the opportunity to eyeball a slew of mini-comics in person, all at once, you’ll find creators who don’t have an Internet presence or who don’t sell their work online. That’s right, such people do exist! So a comics show is liable to expose you to minis that you wouldn’t find anywhere else. (Do your research, of course…some shows are more welcoming to independent comics creators than other.)

2: Think locally. Not all mini-comics travel very far, so it make sense to seek them out in your own backyard. Are there any cartoonists or comics creators in your area? They may sell mini-comics at local events, like art fairs or book festivals or music performances. What about your local friendly comics shop…might they have a selection of mini-comics, maybe on that shelf in the back corner where you’ve never bothered to wander? Or maybe the staff can clue you in to local mini-comic makers of note. A local library, especially in an artist-heavy town, or a college or university library, may have a few in their collection that could lead you back to the source.

3: Yes, yes, yes, OK, the Internet! We hope you’ll find opportunities to buy mini-comics directly from the creators, but there’s no denying that the Internet vastly extends your reach…and helps comics makers get their work to a much wider audience. You know how to google, but here are some leads to follow:

Start by checking the websites and social media streams of creators you know, or have heard of.

The Comics Journal offers reviews and round-ups of mini-comics, like this one. Minis referenced in older reviews may no longer be available, but their creators could have new ones on offer. You’ll also find reviews at opticalsloth.com.

Don’t overlook Etsy, which is chock full of comic-maker shops. Making mini-comics is a form of crafting, right? Start by searching for comics/handmade in the “Books, Movies & Music” category.

If you want an overview of mini-comics history, and don’t mind reproductions of the originals, Fantagraphics has you covered with a two-volume Treasury of Mini Comics set.

That should keep you busy, but remember to spend some time making space on your shelves for all the new mini-comics you’ll soon be ordering…and making. That’s right. We've also discussed how you can make mini-comics of your own (Part 1, Part 2)!

MORE OF OUR FAVORITE MINI-COMICS:

In Blintz, by Rel, three wishes and two blintzes add up to a conclusion that blintzes are awesome.

 

Like her full-length graphic novels, Julia Gfrörer's Palm Ash is powerful, disturbing, and grim, and beautifully drawn. The brightly colored paper she favors for her mini-comics adds a dream-like contrast to the dark doings within the pages.

 Sad Animals, by Adam Meuse, ascribes the neurotic thoughts of humans to a bunch of cartoon animals. We don't know why that's entertaining, but it is.

Itching to start making your own mini-comics? Check out our How to Make a Mini-Comic: Part 1, How to Make a Mini-Comic: Part 2, and Mini Comics: The Wrap-Up for folding tips and layout tricks!

_{Mini-comics displayed are from the personal collections of Quirk Books Comics Club members and are intended as a small and subjective sampling of the ever-expanding universe of mini-comics.}

Superheroics are more than just jumping around rooftops and punching spandex baddies right in the mush – sometimes it requires education! Here’s a short list of just some of the superheroes who’ve made crimefighting a sideline to their teaching careers, or made their teaching career essential to their crimefighting!

Lady Fairplay
Created by:Jack Ryan
Debuted in: Bang-Up Comics vol.1  #1 (Progressive, 1941)

Teaching isn’t all glamour – in fact, it’s very little glamour at all. Perhaps that’s why mild-mannered elementary school teacher Mary Lee occasionally takes advantage of her students’ study time to slip out into the crime-filled world outside the schoolhouse walls as the “goddess of chastisement and dreaded foe of the underworld,” Lady Fairplay!

Granted amazing powers by the mysterious “Professor Amazo,” Mary finds herself possessed of tremendous strength, speed and endurance after a mysterious scientific procedure – and a swell car as well, also provided by the professor and outfitted with “everything but the kitchen sink.” Here’s hoping Lady Fairplay never runs into a crook whose sole weakness is porcelain.

1A
Created by: Russ Manning
Debuted in:  Magnus, Robot Fighter 4000 A.D. #1 (Gold Key Comics, 1963)

By the 1960s, domestic automation had become the next big buzzword in American technology. Films, comics and even model homes provided examples of the “House of the Future,” a fully-automated edifice populated by specialized service robots. Effectively being robot servants, these technologies would be designed to handle everything from cooking dinner to waxing the floors to walking the dog and tucking the kids into bed at night.

For some, the promise of home automation meant the liberation from household drudgery. The new-found freedom from housework would allow homemakers to pursue their careers, education, or whatever other pastime beckoned to them in their now-generous free time.

For others, however, this automation presaged a grim future of lazy, helpless humans completely dominated by their robot servants. It was from this future-dread that Magnus, Robot Fighter, was born! A muscular machine-buster from the year 4,000 AD, Magnus made a career out of clobbering the cogs out of robot menaces and android overlords which threatened the fully-automated world of the 41^st century, and all of its citizens, pampered to the point of immobility.

Magnus didn’t learn his robot-fighting all by himself, though! Nope, that was the purview of techno-traitor 1A, a highly-advanced robot whose human-like emotions also made him dread an unchallenged rule of the robots. Having been raised by 1A since infancy, Magnus learned from his foster-father-bot all the destructive arts necessary to demolish evil robots, wherever they may rear their ugly diodes.

The Super-Teacher from Krypton
Created by: Edmond Hamilton and John Sikela
Debuted in: Adventure Comics vol.1 #240 (DC Comics, 1957)

Speaking of robot teachers, few characters in the relatively tame world of the Superman mythos enjoyed quite the controversial conclusion to their careers as did The Super-Teacher from Krypton.

Prior to the destruction of Superman’s homeworld, the Man of Steel’s father Jor-El – anticipating that his son would develop super-powers once he landed safely upon Earth – designed and built a special robot teacher. Its purpose would be to train the young orphan in the use of his tremendous new abilities, but the chaos surrounding the destruction of the distant planet meant that the Robot Teacher’s arrival would be long delayed. It wouldn’t make the trip to the Last Son of Krypton’s adopted world until long after he’d begun his career as Superboy.

The Super-Teacher’s assignments for the young superhero generally tested his intellect and moral compass, more than his burgeoning powers. These are good tests for the youngster who will one day be the greatest superhero in the entire universe, but the Super-Teacher’s sense of right and wrong could have used some tweaking.

In his final appearance in 1977, Super-Teacher entered the canon’s infamy when it abducted and brainwashed a teenage girl (without Superboy’s knowledge, it’s worth mentioning). Super-Teacher then temporarily replaced her personality with one custom-generated to fit the profile of Superboy’s one true love, so as to test the Boy of Steel’s code against killing when strange creatures seemingly murdered her with a hefted stone.

Ethical lines were crossed with terrible gusto in that final tale, making the Super-Teacher’s absence from any subsequent story a genuine blessing, indeed.

The Atom
Created by:Julius Schwartz, Gardner Fox and Gil Kane
Debuted in: Showcase vol.1 No.34 (DC Comics, 1961)

No professor has quite mastered the art of the field trip like Ray Palmer. Physicist and college professor Ray Palmer, in fact, wouldn’t even have the super-powers of the mighty, miniscule Atom had he not accidentally stumbled across a piece of “white dwarf star matter” during a spelunking expedition with his students. Fashioning the celestial matter into a lens, Palmer discovers that he can change his size and the size of certain objects (for a brief amount of time – inanimate objects tend to explode if they’re left shrunk for too long), leading him to a crimefighting career as The Atom!

Although the university at which Ray Palmer taught physics was frequently only the setting for some of the Atom’s adventures, it did eventually produce his successor (albeit temporarily). Graduate student Ryan Choi proves just as brilliant as his mentor when it comes to the questionable physics of the white dwarf star matter, and takes up the identity of the Atom when Palmer retires from the superheroing game. It must be a wonderful feeling to watch a promising student carry on your life’s work.

Professor X
Created by: Stan Lee and Jack Kirby
Debuted in: The X-Men vol.1 No.1 (September 1963)

Probably no educational figure in the history of comics carries quite the cachet of gravitas as does Charles Francis Xavier, the telepathic leader of the Uncanny X-Men.

Appearing alongside the original roster of the mutant X-Men, Professor X was never just a mentor and booster; he participated in the action as well. Possessing what might be the most powerful psionic mind on the entire planet, Xavier has not only battled some of the greatest menaces of the Marvel Universe, but he’s even an adventurer in his own right. Outside of his X-Men adventures, Xavier boasting a bushel of love interests, a powerful rogues gallery (including, just to name a few, his old pal Magneto, his mega-powerful half-brother The Juggernaut, and equally powerful psionic rival The Shadow King), and a series of adventures which has taken him around the world, into the astral plane and to distant galactic empires.

But the most impressive quality possessed by Professor X is his dedication to the dream of peace and good will between the human and mutant races. Training young mutants to use their strange, new abilities at his School for Gifted Youngsters in Westchester, New York, Xavier has saved the lives and the futures of the literally hundreds of students who have passed through its doors.

Moreso, he’s ensured his legacy in the best way a teacher can – inspiring his former students to become teachers, themselves. The assorted mutant academies of the Marvel Universe have seen classes hosted by assorted X-Men such as Hank McCoy (The Beast), Ororo Munroe (Storm), Kitty Pryde (Shadowcat) and even the once-feral, stab-happy Wolverine!

From left to right: @powellsbooks, @booksaremagicbk, @literatibookstore, @harvardbookstore

Independent Bookstore Day is April 29^th! And while we wish we could suspend time and space just so we could visit all our favorite bookstores in one day, we can’t. Luckily, Instagram is there to transport us wherever we want to go. Here are our absolute favorite independent bookstores on Instagram.

If you’ve read The Legion of Regrettable Supervillains by Jon Morris, you know he delivers on all things regrettable in the best possible way. But regrettable, larger than life figures didn’t start with comic books; mythology is chock-full of them! Here’s a taste of some of the most regrettable gods, monsters, and the folks who got mixed up with them.