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For the 40th anniversary of Apollo 17, December, 2012

I

Soon after brutal apes were graced
With cunning minds and nimble hands
That grasped both word and implement,
They sought more fruitful far-off lands.

Devising hieroglyph and rune,
They logged the heavens, wielding tomes
To guide their craft across the seas,
Subduing wilds to make new homes.

Withdrawing wisdom from its sheath,
They felled old plagues, then lit the waste
With bolt and arc in copper veins,
Contagion and the dark erased.

II

Then clad in fragile armor, we
Assailed the sky, defying void
Between the Earth and distant Moon;
Man’s highest boundary destroyed.

Our race’s ardor tried and spent,
With thinning purse and swollen fame
We shunted wealth to mend the poor,
Make well the old, a carnal aim.

We climbed down from our highest mount,
Resigned the goal, shook off its dust,
Surrendered gear as monuments,
Consigning all to moth and rust.

Then christening metallic thralls
In zeal for life and fearing woe,
We coasted shallows in their shade;
Paid absent heed; remained below.

III

But then a ghost rose into view
Discerned through artifice of glass;
Bleak omen of a monolith,
Far portent of some deadly mass.

With former prowess at its ebb,
We forged new arms to meet the bane
And flung our shafts against the foe,
Contesting blood and home in vain,

For they who measure signs foretold
The writ of doom would not be stayed.
Our scruples fled; we furled the law
And sundered oaths; all cried, some prayed.

The common clung to brood and creed,
While kings fled to a deep retreat;
Then stony fist turned flaming spear
And stabbed the Earth with melting heat.

IV

When mortal blow had landed home
To score the ground and cast its plume,
Then every vale was made a pyre
Of leaden ash and choking fume.

Bereft of drink, of grain, of kine,
Stark hunger reigned past any ban.
Each set his face against those dear,
Ate brother’s flesh, devoured clan.

Dim sunlight shone through fatal clouds
On pillars dashed, on fallen throne,
On mounds of corpses bound in earth,
Souls humbled to mere drifts of bone.

Epilogue

If strangers from a far-flung sphere
Should trace and track our trail of wit,
Then sailing to our furthest shore
Would come to find upon it writ

Small furrows dug by dust-shod feet,
Bold sigils of an Earth-ward land,
A fleet exalting ancient gods,
Its iron vessels now unmanned.

If they could solve a distant tongue,
On metal remnant they would find
Our sentiment made epitaph:
“We came in peace for all mankind.”

Sole witness now, this sterile orb,
Proceeding ’round through ageless span-
Grim herald of the tomb below,
A stone to mark the grave of Man.

Scott Hendrik Van Hoeven is a computer systems coordinator for Northwest Independent School District. He lives in Saginaw, Texas with his beautiful wife and two sons.

Jane Austen's Pride & Prejudice turns 200 this Monday, and here at the Quirk HQ, we've been busy celebrating. Giveaways with bloggers, some fun guest posts, all kinds of good stuff. 

And now, thanks to our friends at Padworx Studios, the Pride & Prejudice & Zombies: Interactive eBook App is available for FREE through Monday, January 28th. 

The app is regularly priced at $8.99 and "features hundreds of illustrations, an original musical score, buckets of gory animation, and a pair of literary masterpieces: Hold your device right side up to enjoy Pride and Prejudice and Zombies. Turn it upside down to read Jane Austen’s original Pride and Prejudice. Turn the device 90 degrees to read both novels." You can check out the App in this video.

Give it a download, and enjoy! 

The Pride & Prejudice & Zombies: Interactive eBook App [iTunes]

Image via

Let’s start with the obvious: young adult (YA) is booming. It’s an unavoidable fact of book life. You find yourself waiting for weeks for a copy of The Hunger Games from your library, you get lost in the mass of books shoved onto the small shelves in bookstores, and publishers seem to only talk about YA in all its forms. YA is the “it” group, and for very good reason.

If you’re over 18 and reading this post, do not be ashamed to walk into the teen section of a bookstore or library. You’re in the midst of some great stories about self-discovery, overcoming adversity and discrimination, and all those things that every individual experiences at some point in life. The age of the protagonists in YA defines the genre, not the readership. Take a look at the Harry Potter craze! Children, teens, and adults were all reading about the boy wizard.

Speaking of wizards, another enticing and popular genre is fantasy. It’s a genre people love to love, or love to avoid. Surely there’s a story in each reader’s life when they first read fantasy, even if it was just to try it out. Depending on the book, the reader either became hooked or avoided the genre like the plague.

But fantasy can be intimidating; all those alternate worlds, creatures, pages to keep track of. It’s overwhelming!

And that’s where the beauty of YA simplicity waltzes in. YA is notorious for simpler writing with big plots. This is perfect for those extending feelers around the fantasy genre. No one wants page after page of description and back-story on a bush on the side of the path (think Lord of the Rings) for their very first. While those can be nice and interesting, it’s more suited for the established fantasy lover. Instead, YA fantasy is like a giant pool with tiny steps leading you ever so slowly deeper and deeper into the variety of magical possibilities.

So… what makes a good YA fantasy, you ask?

Australians love celebrating Australia Day for several reasons.

Not only is it a public holiday (and we all love those) but it’s a time to gather the crew together and celebrate what it means to be an Aussie. Think playing cricket in your togs with ice-cream running down your arm coz it’s 40 degrees outside.

Book lovers like to talk about books. A lot. So much so that there usually isn’t time to list off all of our favorites and explain why we fell in love with The BFG so many years ago – or how Bella Swan is the perfect representation of our twenty-five-year-old-selves. That was a joke.

On those days when talking just doesn’t seem like enough, we luckily have clothes that can spread the message for us. Forget about wearing your heart on your sleeve – wear your favorite book on your torso.

Image via Etsy

January 2013 marks the 200th anniversary of the publication of Jane Austen’s novel Pride and Prejudice. What you might not know is that Austen wrote the book, to which she first gave the apt but much less memorable title First Impressions, nearly two decades before it was published.

In other words, Pride and Prejudice, a seminal work of literature that has influenced nearly every romantic comedy ever published or filmed, was Jane Austen’s trunk novel. We authors could wish that our own literary trunks contain such a gem.

Cassandra Austen, Jane’s older sister and her literary executor, left a note with the dates of composition for each novel. She indicated that First Impressions was begun in October 1796 and finished in August 1797. In November 1797, Jane’s father wrote a letter to the London publisher Thomas Cadell, offering First Impressions for publication. It’s not the most compelling query letter ever written by any means, but no doubt Mr. Austen’s heart was in the right place. We do not know if he wrote the letter of his own volition or at the bidding of his daughter, as it was the usual practice for a male relative to act for a woman in business matters; nor do we know if any other publishers were approached. We only know that the offer was “declined by return of post,” as indicated on the letter.

Despite this early failure, First Impressions was extremely popular among Austen’s friends and family. In her letters, Austen mentions requests to read the manuscript from her sister Cassandra and her friend Martha Lloyd, and even teases Cassandra (knowing the teasing will be passed on to her friend) that Martha only wanted to read the novel again so that she might commit it to memory and publish it herself.