The Remaking

About the Book

“Absolutely chilling.”—Mallory O’Meara, author of The Lady from the Black Lagoon

Now in paperback, inspired by a true story, this supernatural thriller for fans of horror and true crime follows a tale as it evolves every twenty years—with terrifying results.

In the 1930s, Ella Louise and her daughter Jessica are dragged from their home at the outskirts of Pilot’s Creek, Virginia, in the middle of the night. Ella Louise is accused of using her apothecary for witchcraft, and both are burned at the stake. Ella Louise’s burial site is never found, but the little girl has the most famous grave in the South: a steel-reinforced coffin surrounded by a fence of interconnected white crosses. Some wonder: If the mother was the witch, why is Jessica’s grave so tightly sealed?

This question fuels a legend as their story is told around a campfire in the 1950s by a man forever marked by his boyhood encounters with Jessica. Decades later, a boy at that campfire will cast Amber Pendleton as Jessica in a ’70s horror movie inspired by the Witch Girl of Pilot’s Creek. Amber’s experiences on the set and its meta-remake in the ’90s will ripple through pop culture, ruining her life and career after she becomes the target of a witch hunt herself.

Amber’s best chance to break the cycle of horror comes when a true-crime investigator tracks her down to interview her for his popular podcast. But will this final act of storytelling redeem her—or will it bring the story full circle, ready to be told once again. And again. And again . . .

Praise

A 2019 Goodreads Choice Awards Semifinalist

“An ambitious mosaic novel exploring the power of urban myth and superstition.”—The Guardian

“Something like Stephen King’s imperfect masterpiece The Shining…”—Kirkus Reviews

“Chapman has expertly crafted an ouroboros of a horror story. The Remaking is a fast-paced and haunting examination of how misogyny poisons our culture, generation after generation. It’s absolutely chilling. You won’t be able to put it down or stop thinking about it after the lights go out.”—Mallory O’Meara, author of The Lady from the Black Lagoon

“Jumps out the gate and takes the reader on [a] wild and unnerving ride.”—Horror DNA, 4 out of 5 star review

“A streamlined page turner of clearly cut supernatural encounters that moonlights as a frighteningly lucid story of injustice. Be it a specter or a painful recollection, Chapman teaches an absolutely chilling lesson on just how long the past will wait to bite you.”—Fangoria

Clay McLeod Chapman

Clay McLeod Chapman is the creator of the storytelling session “The Pumpkin Pie Show” and the author of Rest Area, Nothing Untoward, and The Tribe trilogy. He is the co-author, with Nightmare Before Christmas director Henry Selick, of the middle grade novel Wendell and Wild. In the world of comics, Chapman’s work includes Lazaretto, Iron Fist: Phantom Limb, and Edge of Spiderverse. He also writes for the screen, including The Boy (SXSW 2015), Henley (Sundance 2012), and Late Bloomer (Sundance 2005). You can find him at claymcleodchapman.com.